The Critical Flame publishes book reviews, criticism, literary nonfiction, and interviews. We have no specialties. Our audience is the intelligent reading public. New issues are published quarterly. We consider submissions year-round. Please allow 4-6 weeks for a response before following up by email. Past contributors include renowned authors and academics as well as librarians, bartenders.
Some of the leading ideas and phrases were early put into currency in Essays in Criticism (First Series, 1865; Second Series, 1888) and Culture and Anarchy. The first essay in the 1865 volume, “The Function of Criticism at the Present Time,” is an overture announcing briefly most of the themes he developed more fully in later work.
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A short guide to essay planning and structure 5 You could use a diagram like this to help you order your ideas. Write each of your main points into a section of the structure. Introduction Introductory paragraph Second introductory paragraph if necessary Body of essay 1st main point 2nd main point 3rd main point 4th main point 5th main point.
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Each published author will receive a free contributor copy of the journal. Non-US authors may be asked to pay the cost of shipping to receive their free issue. All works accepted will be published online (issn 2326-5310) and in Print (issn 2326-5302). All rights revert to the author upon publication.
Consider the theme as a prompt; interpret it as widely and creatively as you wish. We prefer short but detailed pitches over complete, on spec submissions for themed issues, but we will consider full pieces. A good pitch should tell us what you want to write about, why you want to write that essay, and why you are the best person to write that.
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By Jan Schreiber November 23, 2011 February 13, 2012 Essays, November 2011: Poetry Criticism Conference, This Month When I was seventeen years old and barely aware of poetry, with no idea what good poetry might be, or even what if anything might please me, a friend, just back from his English class, rushed breathlessly into my room at boarding school, book in hand, and cried, “Listen to this.