Essays, Moral, Political, and Literary were published as well, including the one by “The World’s Classics” (London, 1903; reprinted in 1904). These bibliographical details are important because they show how highly the essays were regarded by Hume himself and by many others up to the present century.
Mary Hannah Gray Clarke (pen name Nina Gray Clarke; March 28, 1835 - May 30 or 31, 1892) was an American author, correspondent, and poet from Rhode Island.She wrote extensively for magazines and for the public press, and was also the author of many dramas, lyric poems, operettas, stories for the young, and essays.
The essays collected in Elemental Ecocriticism show how elemental materiality precipitates new engagements with the ecological. Here the classical elements reveal the vitality of supposedly inert substances (mud, water, earth, air), chemical processes (fire), and natural phenomena, as well as the promise in the abandoned and the unreal (ether, phlogiston, spontaneous generation).
Perla Batalla and Julie Christensen were Leonard Cohen’s backup singers of the tours in 1988 and 1993, and also worked with Cohen during the recording sessions in studio. The Los Angeles-born singer-songwriter Perla Batalla was immersed in the musical world from birth; her father, a Mexican singer and disc jockey, her mother, the proprietor of a bustling Spanish language music store.
Studies in Tectonic Culture is nothing less than a rethinking of the entire modern architectural tradition. The notion of tectonics as employed by Frampton—the focus on architecture as a constructional craft—constitutes a direct challenge to current mainstream thinking on the artistic limits of postmodernism, and suggests a convincing alternative.
Composed of ten essays and an epilogue that trace the history of contemporary form as an evolving poetic of structure and construction, the book's analytical framework rests on Frampton's close readings of key French and German, and English sources from the eighteenth century to the present. Kenneth Frampton's long-awaited follow-up to his classic A Critical History of Modern Architecture is.
These are mere morsels, though, and what I really want is a giant slice. A deluge, if you will. I saw people on Twitter penning passionate pleas for movie studios to release films like Emma on-demand early, so we could enjoy them in our cooped-up limbo, and while I’ll admit that sounds nice, my passionate plea is for the release of something else entirely: more! personal! essays!