Paul Strand is universally acclaimed as a master. His pictures rank highly among the most often reproduced masterworks of photography and have an honored place within the canon of modern art as such. People viewing his work for the first or the hundredth time find themselves captivated within a visual domain of extraor.
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Essay title: Paul Strand. Paul Strand (1890-1976) was born in New York and attended the Ethical Culture School, based on the principles of John Dewey, a popular choice for those middle class Jewish families wishing to assimilate into secular US society.(Encarta) In 1907 he joined the photography classes and club taught by Lewis Hine.
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To celebrate the centenary of Paul Strand's birth, an international team of scholars and writers, many of whom knew or worked with Strand, has produced a volume of essays and meditations on his life and work. Alan Trachtenberg, professor of English and American Studies at Yale University, provides the insightful introduction.
An international team of twenty scholars--many of whom were associated with Strand--was commissioned to write about his life and work, spanning the earliest beginnings of his career to his last twenty-five years of work and life in Europe and Africa. These essays are an unsurpassed chronicle of a visionary genius.
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Paul Strand was born in New York in 1890. When he was 17 years old, he began taking photography courses, studying under famed photographer Lewis Hine. During his training, Strand also became acquainted with Alfred Stieglitz, whose 291 Gallery in New York provided inspiration for Strand and other aspiring modernist photographers and artists.
In recent times, only one book, Paul Strand: essays on his life and work, edited by Maren Stange, has attempted to place Strand’s photography within a wider ideological context.1 Even in this collection, only two essays, one by Alan Trachtenberg and the other by Mike Weaver, engage directly with the question.